An Explication Of William Carlos Williams’s “The Red Wheelbarrow” Essay

Usually, in interpreting a verse, one only when relies on the metaphors behind the speech communication to find a kernel. Sometimes, however, the structure of the poem itself and the literal scene which the words convey are already the meaning of the poem. The significance in the reading of William Carlos Williams poem, The Red lawn c fraud, lies in the structure by which the poet arranges the words and the snapshot of the image which the poem describes. The full poem comprises of a single sentence cut into incisions and toothsome so that it be knows a quatern-stanza poem, for each one stanza of which comprises of two derivations.The first lines are unp chromaticictable those in the first and fourth stanzas are made up of four syllables. The two sandwiched stanzas are only comprised of three syllables. Meanwhile, all second lines in each stanza are single words with two syllables each. As a sentence, the poem would be insignificant both for its mundane subject issuance and lack of metaphor So much depends upon a reddened lawn cart glazed with rain beside the bloodless chickens. It becomes a subject for narrow scrutiny, however, because of the way of life by which the poet cuts the sentence into parts.The line breaks, cutting off whole words into two, suggest cued halting in the reading and the reader is squeeze to call back in every image which every word evokes, both as a cut-off piece (i. e. wheel and barrow) and as a compound (i. e. grave mound), slowly, part by part, then as a whole. The reader also learns to regard the painting which is the poem, like he does when viewing a still-lifea captured image intensified by the renderingfrom a master artist, framed on a wall.The impact of the entire poem rests on the first stanza, so much depends/ upon (lines 1-2). It suggests the importance of what are to follow. It appropriates the value of the simple objects that would be enumerated. The organisation of the word upon (line 2) as a line b y itself, connotes the gravity of the importance of the tumulus which is the central image in and subject of the poem. The word wheelbarrow is cut into two parts, wheel as a part of line 3 and barrow as an entire line 4.With the separation, the reader is forced to examine the machine by parts, the wheel first, before taking in the whole machine. His visual sense is also arrested with the middle word, which is a hearty and bright color red. The fifth line glazed with rain, gives the red wheelbarrow a character. It is not just a bright red wheelbarrow. It is dulled by the rain. It is a used and beaten implement. It has to withstand the raw(a) elements. This reinforces the theme of attributing significance to this everyday object.This wheelbarrow does a lot of mature work, helping the farmer move and carry soil, manure, produce, etc. The same visual stimulus is presented again with the line beside the white (line 7), the adjective separating the noun, the chickens. (line 8), whic h the color pertains. finishing the line with another color, and one that contrasts sharply with the first color mentioned in the preceding stanza, makes the two objects captured in the painting (which is the poem) stand out against each other. The red wheelbarrow stands out against the white chickens.As an imagistic poem, The Red Wheelbarrow presents a snapshot of a farm scene. A red wheelbarrow sits idly on the ground, wet with recent rain, while chickens gather beside it, forgetful of the machine. The scene is ordinary and so is the description. The snapshot, however, perceived alongside the words and the bounce by which Williams creatively arranges the words, become more exciting because it begins to approximate a painting of an ordinary scene that is made special by the careful attention, reinterpretation and presentation of the poet.It is not just an everyday rural image of a wheelbarrow glazed with rainwater beside the white chickens. It is a work of art showing the image of a wheelbarrow glazed with rainwater beside the white chickens and the perceiver is being asked to evoke whatever associations, sentiments, feelings and interpretations he might come up with, both subjective and objective, as result of his experiencing the work of art. name and addressWilliams, Williams Carlos. The Red Wheelbarrow.